The intention of this blog is only to share the collections. Inadvertently if any file is under copyright, please intimate me so that it can be removed forthwith.

Wednesday, February 2, 2022

Subash chandra Bose views............


What was Subhas Bose's views on religion? He was a devout Hindu but respected genuine secularism i.e.separation of "Church" from State.
On his way to Europe, from the ship called S S Gange, Bose wrote on 5 March, 1933, to his close friend Dilip Kumar Roy, "To be quite frank, I am torn this side and that - between my love for Shiva, Kali and Krishna. Though they are fundamentally one - one does prefer one symbolism to another. I have found that my moods vary - and according to my prevalent mood, I choose one of the three forms - Shiva, Kali and Krishna. Of these three again, the struggle is between Shiva and Shakti. Shiva, the ideal Yogi, has a fascination for me and Kali the Mother also makes an appeal to me. You see, of late (i.e., for the last four or five years) I have become a believer in Mantra Shakti by which I mean that certain Mantras have an inherent Shakti. Prior to that, I had the ordinary rationalistic view, namely that Mantras are like Symbols and they are aids to concentration. But my study of Tantra philosophy gradually convinced me that certain Mantras had an inherent Shakti - and that each mental constitution was fitted for a particular Mantra. Since then, I have tried my best to find out what my mental constitution is like and which Mantra I would be suited for. But so far I have failed to find that out because my moods vary and I am sometimes a Shaiva, sometimes a Shakta and sometimes a Vaishnava.‘’ Subhas Chandra Bose India's Spokesman Abroad, Subhas Chandra Bose, Letters, Articles, Speeches and Statements 1933-1937 Netaji Collected Works Volume VIII (Dilip Kumar Roy and Subhas Bose were born in the same year, one day apart)

Courtesy : Face book of Roopendra Narayan Roy

 

Thamadam Thagadayya By Haripriya Dharmala

Concert - Alleppey Venkatesan

This concert was at TAG Music festival on 31/8/1997




Is India Shining


No country fought this dreaded, once in a millenium virus the way India did with the limited resources available at its command.
If Joe Biden or Boris Johnson / Angela Merkel had been India's leader instead, they would have packed their bags and gone home...
The boldest EVER decision to lock down a giant country with only 10 deaths on record will go down in history as a life saving decision that no leader apart from Modi had the guts to envision..
And my brave nation India responded beautifully to the challenge. Rations, medicines, transport, rail corridors , groceries , everything was taken care of....
10 /10 to the Indian leadership for a gigantic, historic effort 👏👏👍😘😘
The 2nd wave was not allowed to stretch beyond 45 days . It was quickly brought under control...
Dedicated oxygen trains were fast tracked, railway coaches were transformed overnight into isolation& treatment wards, stadiums were converted to giant quarantine centres, doctors toiled heroically 24x7 , India turned into a PPE kit exporter from an importer, urgent and regular medical bulletins were shared, no panic was allowed to cripple operations, the Prime Minister PERSONALLY soothed and calmed the nation with sensible advice and precautionary advice every other evening .....👍👏
Not one but TWO vaccines were quickly developed (India was the only country in the world with 2 vaccines in record time)
The world's LARGEST vaccination drive was launched effortlessly and India was the ONLY country to completely digitize its vaccination process while America continues to struggle with paper printouts....
What a staggering and epic response by the world's largest democracy with 1.38 billion to care for 👌👌
Couldn't have asked for a more visionary leadership and flawless execution to beat back the deadly virus ...
India showed the world how it's done while Europe / America reeled helplessly in the face of Covid even with their tiny populations and advanced medical infrastructure...
Italy collapsed, Spain collapsed, U.K collapsed, America was brought down to its knees but India stood rock steady and stared Covid down with careful planning on a war footing...
The fabulous Indian Air Force & its giant transport fleet of C117 Globemasters , destroyers of the Indian Navy and the magnificent Indian Army were deployed rapidly with all their might and resources to help the nation recover...
Flotilla after flotilla of Naval warships brought back stranded Indians from all corners of the globe in a heroic effort that has never been seen till date.
Air India launched its biggest ever rescue mission commanded ably by Foreign Minister Jaishankar 👍✊🙏🙏
Besides, India healed not just itself but helped 80 countries with valuable vaccines in the true spirit of Vasudev Kutumbakam as the world applauded India 's generosity while it earned the gratitude of millions around the globe...
Truly breathtaking response by the world's most benign , smartest and most resilient country
Thank God for India and its visionary leadership ✊✊👌👌❤🙏🇮🇳🙏🇮🇳
India mastered the lockdown template and taught the effects of micro containment zones to the world - let's not forget that.

Courtesy Face book Shyama priya who posted from Sanjeev Deb

10

 

Concert - Vairamangalam Lakshminarayanan





Concert - Vairamangalam Lakshminarayanan

Arkay Convention Center's 11th Anniversary - Spoorthi Rao Vocal


Spoorthi Rao Vocal V S Gokul Violin K H Vineeth Mridangam K V Gopalakrishnan Kanjira

H.........U.....G...........E.....


Tesla factory at Texas

 

Bhaje Vighnarajam | AIM for SEVA and IndianRaga


॥ भजे विघ्नराजम् ॥ (रागम् - हंसध्वनि,   तालम् - आदि)  पल्लवी                    भजे विघ्नराजं विनायकम्                                यजे फालचन्द्रं पदवाक्यप्रमेयम्       (भजे विघ्नराजम्)   अनुपल्लवी              अथर्वशीर्षादि-प्रतिपादितम्                                सङ्कटनाशनं गणपतिं सदा           (भजे विघ्नराजम्) चरणम्                     वक्रतुण्डं महाकायम्                                एकदन्तं गजाननम्                                विकटं कृष्णपिङ्गाक्षम्                                धूम्रवर्णं लम्बोदरम्                       (भजे विघ्नराजम्) Bhaje Vighnarajam meaning: I salute Vināyaka, the Lord of obstacles. I worship him who has a moon on his forehead, And is the one to be known through The words of the mahāvākyas. I always salute Vināyaka who Is revealed by the Upaniṣads such as the Atharvaśīrṣa, The one who is the leader of the gaṇas, And who is the remover of all suffering. I salute Vināyaka who Has a curved trunk and a large body, And the face of an elephant with only one tusk, One looks amusing but is very intelligent, The one who has dark-brown eyes and a big belly And is of smoky reddish color. Original Composition: Swami Dayananda Saraswati Music Production: Mahesh Raghvan Performers: Ramakrishnan Murthy (Vocals) Mahesh Raghvan (iPad) Akshay Anantapadmanabhan (Mridangam)  & Aim For Seva School Students   Video Production & Post Production: Cockadoodle Films Directed By: Deepika Chandrasekaran Direction Team: Sreevathsav C, Ganesh Krishnan, and Ramachandran A Director Of Photography: Shakthi Arvind DOP Team: Abi Arun Leo, VKD. Adhiyamaan and G.Ashok Production Design: R. Kishore Production Design Team: Melvin Lights: Kumar & Team

Bhavaye Pramathmanam | Swami Dayananda Saraswati | AIM for SEVA and Indi...



॥ भावये परमात्मानम् ॥ (रागम् -आरभी,   तालम् - आदि) पल्लवी भावये परमात्मानम् भवभयदूरं नितराम् (भावये) अनुपल्लवी श्रवण-मनन-मुख-प्राप्त-सतत्त्वम् आदि-मध्यान्त-रहितं परिपूर्णम् (भावये) चरणम् -१ कल्पित-सकल-भुवनाधारम् सद्गुरु-सुमुख-कमलोद्भूतम् जप-तपः-कर्म-सुशितया बुद्धया बोधं प्रतिबोधं विदितं महान्तम् (भावये) चरणम् -२ असङ्गं अस्वप्नं अचिन्त्यरूपम् मध्यम-कालः शान्तं शिवं निर्विकल्पं परेशम् समं सदा सर्वभूतेषु गूढम् सुखं स्वतन्त्रं सुबोधस्वरूपम् (भावये) || BhāvayeParamātmānam || (Rāgam - Ārabhī,     Tālam - Ādi) Pallavī Bhāvayeparamātmānaṃ Bhavabhayadūraṃnitarām (Bhāvaye) Anupallavī Śravaṇa-manana-mukha-prāpta-satattvam Ādi-madhyānta-rahitaṃparipūrṇam (Bhāvaye) Charaṇam-1 Kalpita-sakala-bhuvanādhāram Sadguru-sumukha-kamalodbhūtaṃ Japa-tapaḥ-karma-suśitayābuddhayā Bodhaṃpratibodhaṃviditaṃmahāntam (Bhāvaye) Charaṇam-2 Asaṅgaṃasvapnaṃacintyarūpam Madhyama-kālaḥ Śāntaṃśivaṃnirvikalpaṃpareśam Samaṃsadāsarvabhūteṣugūḍham Sukhaṃsvatantraṃsubodhasvarūpam (Bhāvaye)   Original Composition: Swami Dayananda Saraswati Performers: Geetesh Iyer (Vocals) Gopika Varma (Mohiniyattam) Mahesh Raghvan (iPad) Anirudh Sharma (Tabla) Lalit Talluri (Flute) Aswathy BW (Mohiniyattam) Akshita GK (Mohiniyattam) Music Production: Mahesh Raghvan and Aditya Ganesh Video Production & Post Production: Cockadoodle Films Directed By: Deepika Chandrasekaran Direction Team: Sreevathsav C, Ganesh Krishnan, and Ramachandran A Director Of Photography: Shakthi Arvind DOP Team: Abi Arun Leo, VKD. Adhiyamaan and G.Ashok Production Design: R. Kishore Production Design Team: Melvin Lights: Kumar & Team

Bharata Desha Hitaya | AIM for SEVA and IndianRaga

Bharata Desha Hitaya 🇮🇳 - Abby V | Desh | Swami Dayananda Saraswati | A...

neeye enakku enrum - varsha srinidhi saranga music band srilanka

GNB's film songs





Please click here

G.N.B's 81st birthday ( Speeches)


Speeches on his 81st Birthday. ( I could not locate in web in connection with this occasion. Anybody who has the photo can spare to suit to this post




G.N.B's 81st birthday

Muthuswamy Dikshiter krithis

This is also a fresh upload of MORE THAN 500 songs rendered by multiple artists which is a who is who under the head/labels "Muthuswamy Dhikshitar". There were more numbers in that post and  I will try to reach the missing krithis here, and in the process  they may not be in alphabetic order. Sorry for the incovenience.

Muthuswamy Dhikshitar Krithis

Many readers, especially youngsters who are learning Carnatic music expressed their desire to learn Dhikshitar krithis by hearing various artists. I have tried my best to gather as many artists as possible here and hope this may expose the youngsters to variety of renditions. You can get the meanings of his lyrics in my wife's blog "guruguhaprema.blogspot.com" which will be covering as many songs as possible in course of time
Muthuswami Dikshitar (1775 – October 21, 1835), is the youngest of the Carnatic music composer trinity. He was born in 1775 to Ramaswami Dikshitar and Subbamma, as the eldest son, in Tiruvarur(of Thanjavur district in Tamil Nadu). Muttuswami is said to have born to the couple after they prayed for a child in the temple of Vaitheeswaran Koil. According to the account of Subbarama Dikshitar, Muttuswami Dikshitar was born in the manmatha year, in the month of Panguni under the asterism Krittikaa. He was named after the temple deity, Muttukumaraswamy. He also had two younger brothers Baluswami, Chinnaswami and a sister Balambal.
Early years

Consistent with the education of Brahmin boys of that time, Muttuswami learnt the Vedas, Sanskrit and other important religious texts. He also obtained his preliminary musical education from his father. While he was still in his teens, his father sent him on a pilgrimage with a wandering monk named Chidambaranatha Yogi, to gain musical and philosophical knowledge. Over the course of this pilgrimage, he visited many places in North India, and acquired a broad outlook that is reflected in many of his compositions. During their stay in Kashi (Varanasi), his guru Chidambarantha Yogi, presented him with a unique Veena, and died shortly thereafter. The Samadhi of Chidambaranatha Yogi can still be seen in the Hanuman Ghat area in Varanasi.

Muttuswami Dikshitar attained mastery over the Veena, and the influence of Veena playing is evident in his compositions. As per his guru's orders, he went to tiruttani(a temple town near chennai).There while he was immersed deep in meditation, an old man appeared and asked him to open his mouth. He dropped sugar candy into his mouth and disappeared. As he opened his mouth, he had the darshana of the God Muruga and the composer burst forth into his first composition "Shri naathaadi guruguho" in the raga Maayaamaalavagaula. This song addressed the Lord ( and /or the Guru) in the first declension in sanskrit. He composed kritis in all the 8 declensions on the Lord. These kritis are mostly with epithets glorifying the guru and have very few references to Lord Muruga or specifically to the God in the saguna form or to the form at Tiruttani. He then went on a pilgrimage visiting and composing on temples at Kanchi, Arunachalam , Chidambaram,Tirupathi and Kalahasthi. He then returned back to Tiruvarur.
Dikshitar's prime

On his return to tiruvarur, he composed on every deity in the Tiruvarur temple complex including Tyagaraja, the presiding deity at Tiruvarur, Nilothpalambal, his consort and the Goddess Kamalambal an independent deity of high tantric significance in the same temple complex. This is when he composed the famous "kamalamba navavarnams" filled with exemplary sahityams which proved to be the showcase of his compositions. These navavarnams were in all the eight vibhakthis and are sung as a highlight of guruguha jayanthi celebrated every year. He continued to display his prowess by composing the "Navagraha krithis" in praise of the nine planets. The sahitya of the songs reflect a profound knowledge of the mantra and jyotisha shaastras. The Nilotpalamba krithis is another classic set of compositions which revived dying ragas like Narayanagowla.

His Compositions
His total compositions are about 450 to 500, most of which are very widely sung by musicians today in Carnatic music concerts. Most of his compositions are in Sanskrit and in the Krithi form i.e. poetry set to music. Muttuswami Dikshitar traveled to many holy shrines throughout his life, and composed krithis on the deities and temples he visited.
Each of his compositions is unique and brilliantly crafted. The compositions are known for the depth and soulfulness of the melody - his visions of some of the ragas are still the final word on their structure. His Sanskrit lyrics are in praise of the temple deity, but Muttuswami introduces the advaitin thought seamlessly into his songs, resolving the inherent relationship between Advaita philosophy and polytheistic worship. His songs also contain much information about the history of the temple, and its background, thus preserving many customs followed in these old shrines.
Muttuswami also undertook the project of composing in all the 72 melakartha ragas, (in his asampurna mela scheme) thereby providing a musical example for many rare and lost ragas. Dikshitar was a master of talas and is the only composer to have krithis in all the seven basic talas of the carnatic scheme. Dikshitar shows his prowess in sanskrit by composing in all the eight vibhakthis(cases).
For richness of Raga Bhava,sublimity of their philosophic contents and for the grandeur of the Sahithya, the songs of Dikshitar stand unsurpassed.
Disciples

Muttuswami Dikshitar was approached by four dance masters, Sivanandam, Ponnayya ,Chinnayya and Vadivelu. They expressed their desire to learn music from him and entreated him to accompany them to Tanjavur. There, Dikshitar imparted to them the the 72 mela tradition handed down by Venkata Vaidyanatha Dikshita.The students showed their gratitude by composing a set of nine songs called navaratna maala glorifying their guru. These four disciples became what is known as the "Tanjore quartet" and are revered as the prime composers of music for bharatanatyam

Samadhi

On Deepavali, the day of narakachaturdashi, Dikshithar performed puja as usual and asked his students to sing the song "meenaakshi me mudam" in the raga gamakakriya.

As his students sang the lines "Meena lochani paasa mochani" he raised his hands and saying "sive paahi" left his mortal coil.
Other

Baluswami Dikshitar, brother of Muthuswamy Dikshitar is believed to be the pioneer who introduced violin to Carnatic Music, an instrument now an integral part of almost any carnatic ensemble. Muthuswamy Dikshitar also shows influence of the Baroque style of western classical music in some of his compositions ( Varashiva Balam ) - which is pretty incredible as there were no record players in his age and it is hard to imagine how he managed that!!!

His Descendants

Muthuswami Dikshitar died on the 21st of October, 1835. Although Muthuswami Dikshitar did not have any children of his own, his Brother Baluswami's descendants have preserved his musical legacy, and his compositions have been popularised due to the efforts of people like Subbarama Dikshitar and Ambi Dikshitar. Shri. Baluswamy Dikshithar, the sixth descendent in the line, a well known Vainika by his own rights, was residing in Trichy and then moved to Chennai in 1957. He died in November 1985. He has two sons and two daughters. The eldest son Shri.Muthuswamy the seventh descendent in the line, retired as a top executive in the State Bank of India Group of Banks and then was the Mg.Director and CEO of a private sector Bank. He now resides in Coimbatore. The younger son runs his own small scale industry near Madurai. Both the daughters are married and well settled in Chennai. The Raja Rajeswari,Vallabha Ganapathi, Sree Chakra,BanaLingam, Saligramam and other idols, given to Shri Muthuswamy Dikshithar by his Guru Chidambaranatha Yatheendra is in the family with the eldest son Shri Muthuswamy as also the Divine Veena(with the upturned Yaali Mukha)with the sanskri inscription "Sree Ram" given to Shri Dikshithar by Goddess Saraswathi,when he bathed in the river Ganges, as indication of his having attained Manthra Siddhi.

Important Krithi Groups
  • Guruguha Vibhakti krithis - Songs in praise of the guru;
  • Kamalamba Nava Varnams - Songs in praise of Kamalamba;
  • Navagraha Krithis - In praise of the Sun, Moon and other planets;
  • Nilotpalamba vibhakti Krithis;
  • PanchalingaKshetra kritis;
  • Rama vibhakti Krithis;
  • Tiruvarur Pancalinga kritis;
  • Thyagaraja vibhakti Krithis;
  • Abhayamba vibhakti Krithis
  • Madhuramba vibhakti Krithis
Read this intersting link
http://www.vipanci. com/articles. php?article_ no=204&view_ option=1 also before you proceed to download. 
Please click below


Dikshiter krithis

Some krithis may not be in alphabet order. Please search your desired krithi. I may also add further as and when I found them in my collections on various heads